Colloquium by Polina Barskova, Hampshire College: Poetics of Continuity and Destruction: Discovery of the Next Generation of The OBERIU Poets (1941-1942)
216
Speakers): Polina Barskova, Hampshire College
‘Poetics of Continuity and Destruction:
Discovery of the Next Generation of The OBERIU Poets
(1941-1942)’
April 17, 2013:
5.15pm
Pigott Hall (Building 260), Room
216
Amidst
the vast yet primarily unstudied map of cultural production during
the Siege, a unique place belongs to the poets of the Leningrad
Avant-Garde, who continued the tradition of the group of Absurdist
poets who called themselves OBERIU. While the members of OBERIU
themselves—Aleksandr Vvedensky, Daniil Kharms, Nikolai
Oleinikov and Konstantin Vaginov—all perished in the
purges before the Siege, it is their disciples—Gennadii
Gor, Pavel Zal'tzman, Dmitrii Maksimov, and Sergey
Rybakov—who aimed to use the poetics of Absurdism to
describe the horrific realities of life in the besieged city:
deterioration of the dystrophic personality, the sublime cityscape,
and the atrocious forms of the violence in the city, including
cannibalism. Their work could not be published for decades
following the Siege, and it is only now resurfacing in publication.
It has already found strong cultural resonance and offered new
directions for reconsidering the canon of Russian Modernism in the
Soviet context. The younger OBERIU group of the Siege created a
unique case for the continuity of trans-sense poetic language while
they assigned it it radically new historical tasks, including that
of reflecting the mechanisms of aphasia that became structurally
significant for the Siege language of trauma.
POLINA BARSKOVA is an
Assistant Professor of Russian literature at Hampshire College.
Born in Leningrad in 1976, she published her first collection of
poems in 1991, was a finalist for the 2000 Debut Prize, and has had
poems translated into English for literary journals, anthologies,
and two solo volumes. Two volumes of her poetry have been
translated into English, including The Zoo in Winter: Selected
Poems, in 2011. Barskova’s scholarship explores the
mythologies of cultural production during the Siege of Leningrad
(1941-1944). Her articles on this subject have been published in
Slavic Review, Ab Imperio, Novoe Literaturnoe Obozrenie, and
Neprikosnovennyi Zapas. She holds a B.A. from the Classics
Department of Saint Petersburg State University and a Ph.D. from UC
Berkeley.