Colloquium by Kevin Platt, University of Pennsylvania:Modernism's Long Century
216
Speaker(s): Kevin Platt, University of Pennsylvania
‘Modernism’s Long
Century’
February 13, 2013:
5.15pm
Pigott Hall (Building 260), Room
216
During the 1980s and 1990s, scholars and
cultural commentators from the left (TJ Clark, Peter Bürger) and
from the right (Francis Fukuyama) converged in suggesting that
modernism had come to its end—an end at times attributed
to the failure of the modernist or avant-garde project, and at
others figured as the triumph of a single project for modernity.
Yet in the course of the past ten years, it has become clear that
that "post-modernist moment" was an
ideological-aesthetic blip. Across the globe, the end of the Cold
War has been seen as initiating a form of historical experience
that has not held sway since the early twentieth century. The
character of this experience might be termed, with reference to the
conceptual apparatus of Reinhart Kosseleck, a radically open
horizon of future expectations. In Platt’s presentation,
this commonality of temporal position will make possible a
reencounter with the legacy of the European and Russian avant-garde
and a cardinal revision of the long history and continued potential
of modernism.
KEVIN M. F. PLATT is Professor
of Slavic Languages and Literatures and Graduate Chair of the
Comparative Literature Program at the University of Pennsyvania. He
works on representations of Russian history, Russian
historiography, and history and memory in Russia. Additionally, he
frequently writes on Russian lyric poetry and on contemporary
Russian culture in the Baltic. Platt received his B.A. from Amherst
College and his Ph.D. from èצӰÏñ. He is the author of
Terror and Greatness: Ivan and Peter as Russian Myths (Cornell UP,
2011) and History in a Grotesque Key: Russian Literature and the
Idea of Revolution (èצӰÏñ, 1997; Russian edition 2006), and the
co-editor (with David Brandenberger) of Epic Revisionism: Russian
History and Literature as Stalinist Propaganda (Wisconsin UP,
2006). His current projects include a critical historiography of
Russia, a study of contemporary Russian culture in Latvia, and a
number of translation projects.